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Effects for Guitar Players – Read Through This Detailed Guitar Effects Pedals Guide in Regards to Guitar Effects.

We’re going to try and provide a quick look at the major forms of guitar pedals review. In part 1 we’ll cover the essentials.

We know that we now have a million websites offering insight to this topic, however its been our experience that they’re written by engineers, not musicians… they read like microwave manuals rather than a helpful resource… Anyway… off we go.


I can’t really milk over a few lines out of this topic. It’s pretty cut and dry- a lift pedal will give your signal a volume boost – or cut, for the way you’ve got it set. Most boost pedals work as a master volume control allowing you quite a wide variety of use.

So why do I would like a boost pedal? To give your guitar volume up over all of those other band throughout a solo, to operate a vehicle your amp harder by feeding it a hotter signal, to experience a set volume change at the press of a button.


When most guitarists focus on overdrive, they are making reference to the smooth ‘distortion’ manufactured by their tube amps when driven to the point of breaking apart. Overdrive pedals are meant to either replicate this tone (with limited success) or drive a tube amp into overdrive, creating those screaming tubes beyond the things they normally can do without wall shaking volume.

So why do I want an overdrive pedal? Overdrive pedals can be used as a boost pedal- which means you get those inherent benefits, you’ll find some good added girth for your tone from your distortion produced by the pedal. Most overdrive pedals have tone control offering you wider tone shaping possibilities.


Based on our above definition of overdrive, distortion is how overdrive leaves off. Inside the rock guitar world think Van Halen and beyond for a clear demonstration of distorted guitar tone. Distortion pedals often emulate high gain amps that create thick walls of sound small tube amps are certainly not competent at creating. If you’re lucky enough to use a large Marshall, Mesa Boogie, Diezel or some other monster amplifier to make your distortion you possibly will not need to have a distortion pedal. But throughout us mere mortals, electric guitar effects pedal are necessary to modern guitar tone.

So why do I would like a distortion pedal? You would like to be relevant don’t you? Even with large amps, like those stated previously, distortion pedals play an integral role in modern music. They offer flexibility that boosts and overdrives can not rival.


God bless Ike Turner as well as the Kinks. Both acts achieved their landmark tones by making use of abused speaker cabinets. Ike dropped his around the street walking straight into Sun Records to record Rocket 88, the Kinks cut their speakers with knives approximately the legends already have it. No matter how they got it, their tone changed the planet. Some think of it distortion, some consider it fuzz, however, seeing the progression from the damaged speakers towards the fuzz boxes manufactured to emulate those tones, I think its safest to call what Turner and Davies created/found was fuzz.

Exactly why do I would like a fuzz pedal? Ya like Hendrix, don’t ya? In most honesty, the fuzz pedal is seeing resurgence in popular music currently. Bands like Nine Inch Nails, Marilyn Manson, Muse as well as the White Stripes rely heavily on classic designs on recent releases.


The task of the compressor would be to deliver a level volume output. This makes the soft parts louder, and also the loud parts softer. Current country music guitar tone is driven by means of compression.

Why do you require a compressor? Improved sustain, increased clarity during low volume playing.



The earliest “flanger” effects were manufactured in the studio by playing 2 tape decks, both playing the same sounds, while an engineer would slow or increase the playback of one of many dupe signals. This is how you could potentially produce wooshing jet streams. The advantage of the old style tape reels is known as the flange.

Why do I would like a flanger? A flanger will give you a whole new color in your tonal palette. You may deal with out one, but you’ll never get a number of the nuance coloring in the Van Halen’s, Pink Floyd’s, or Rush’s of the world.

Phase shifter

The phase shifter bridges the gap between Flanger and Chorus. Early phasers were meant to recreate the spinning speaker of any Leslie. Phase shifting’s over use may be heard all around the first few Van Halen albums.

How come I need a phase shifter? See Flangers answer.


Chorus pedals split your signal in 2, modulates one of these by slowing it down and detuning it, then mixes it in with the original signal. The effect should really sound dexspky30 several guitarists playing the exact same thing simultaneously, producing a wide swelling sound, nevertheless i don’t listen to it. You do get a thicker more lush tone, nevertheless it doesn’t appear to be a chorus of players if you ask me.

Why do I want a chorus? Because Andy Summers uses one, and Paul Raven says so… which should be sufficient.


Like a kid, have you ever fiddle with the volume knob in the TV or even the radio manically turning it all around? Yeah? Well you have been a tremolo effect.

How come I would like a tremolo pedal? 6 words for ya: The Smiths ‘How Soon Is Now’


A delay pedal creates a copy of your incoming signal and slightly time-delays its replay. It can be used to make a “slap back” (single repetition) or perhaps echo (multiple repetitions) effect. Who amongst us can’t appreciate The Edges use of electric guitar effects pedal delay throughout U2s career?

How come I would like a delay pedal? See Flangers answer.


A variable band-pass frequency filter… Screw all of that- you know what a wah wah is… its po-rn music! It’s Hendrix! It’s Hammett. It’s Wylde. It’s Slash.

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